Israel To Submit ‘Cinema Sabaya’ For Best International Film – KristenBellTattoos.com

Ort Focus Rotems Cinema Sabaya This year’s Oscar race will see Israel’s entry in the best international film category, after the country’s Best Picture win at the Ofir National Cinema Awards over the weekend.

Under Israel’s Oscar entry selection process, the Best Picture Ophir winning work is automatically presented as the country’s submission.

Cinema Sabaya It also won awards for Best Director, Supporting Actress, Costumes and Casting.

The fiction feature follows eight women from different sides of the Middle East conflict who participate in a video workshop using footage they have filmed of their lives.

The group dynamic forces them to challenge their own ideas and beliefs as they get to know each other and themselves better.

Cinema Sabaya Rotem’s first feature after a trio of award-winning shorts. the curtain Voice over And A staring match.

The film grew out of Rotem’s real-life experiences teaching mixed groups of women in Acres and Givat Haviva in northern Israel.

Global sales are handled by Memento International.

The film is produced by Maya Fisher, Gal Greenspan and Roy Kurland at Green Productions.Scaffolding, Menashe, youth, summer holidays), in co-production with Aurelian Boudineaux from Neon Rouge in Belgium (Downstream to Kinshasa, the Mercy of the Jungle).

Backers include the Israel Film Fund, the Wallonia-Brussels Federation, the Weil-Bloch Foundation, the New Fund for Cinema and Television, the Israel Film Council and the Ministry of Culture and Sports, the Israel Lottery Council for Culture and the Arts.

The film was produced at the Jerusalem Film Lab, was selected for IFP/Gotham No Borders, and won first prize at the Cinemamarket Haifa FF in a work-in-progress by PostRepublic.

Israel has never won the Best International Film Oscar, but has received 10 nominations since 1964, while Ophir Raoul Grazier’s drama Cake Maker It was the last Israeli film to advance in the race to reach the shortlist in 2018.

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