Juliette Binoche About Working With Jean-Luc Godard — San Sebastian – KristenBellTattoos.com

Juliette Binoche spoke about the challenging process of working with Jean-Luc Godard during a press conference at the San Sebastian Film Festival.

Binoche – who is at the festival to receive the Donostia Award, the festival’s prestigious lifetime achievement gong – was asked to speak about Goddard after news of his death broke earlier this week. In response, he began discussing the audition process for his only collaboration, the 1985 film. Haley Mary.

“There was a series of castings I did with her that went on for a long time. And then at the last rehearsal, I had to strip down, comb my hair, and say a poem that I had memorized. ,” she said. “They didn’t cast me for the role but they created a new role for me.”

Binoche went on to say that Godard was unlike the other directors she had previously encountered while working on the stage who were warm and supportive of their actors.

“Not with Jean-Luc Godard. It was like a cold shower,” she said. “I sensed a kind of contradiction and conflict in him, like he was looking for something he couldn’t find. And we had to be available to him all the time. I spent five months. It wasn’t an easy relationship. It wasn’t but at the same time I felt happy.

Binoche added that one of Godard’s strangest quirks was that he forbade his actors to wear make-up, which meant that his face would often turn red in front of the camera because of his pain. She struggled to hide.

“I was so scared,” she said. “I had to hide this grief.”

She added: “It wasn’t easy for me. I learned that I couldn’t wait for anything from him. I had to be prepared. He told me things that were necessary but it was easier while shooting the film. was not.

Later during the presser, Binoche was joined by veteran filmmaker Claire Danes with whom she had recently worked on the Berlinale-winner. Both sides of the blade. As part of the Donostia Award celebrations, Binoche will present a screening of the film with Denis.

Juliette Binoche and Claire Danes.
Carlos Alvarez/Getty Images

The film stars Binoche alongside Vincent Linden and is the story of a woman caught between two men, her longtime partner, and her best friend, her ex-lover. During the presser, Binoche was asked how she has managed to maintain a dynamic career with roles in films. Both sides of the blade And avoid being typecast as an old lady.

“I don’t know if it’s films in France or in Europe, but in any case, I don’t feel like that. I don’t see it that way. I don’t know if I’m very lucky or if I have a relationship with directors like Claire. . [Denis] But I know there are other women who are struggling in more codified cinema or films,” she said. “But often you have to say no to movies where they ask me to be someone’s wife. I often say no.”

She added that actors must learn to reject roles where “we’re only seen in a certain way” or that are shaped by “gender codes”.

Dennis later interjected, saying that the topic of age in cinema is a question he often gets asked by journalists.

He said that the idea of ​​young people being bound by desire and love is an idea that is very sad and sad.

“I don’t understand this idea of ​​maturity. The idea of ​​being an actress or an actor means you’re not going to be anything. The idea is to express the life of the soul and to express desire. And when I see Juliet, when I filmed her in this movie, I saw her beauty but not beauty because she’s a good-looking woman. Something deeper. Of course, Juliet is beautiful, but that’s not what we’re filming. We are filming its power.

Binoche added that the real challenge of aging in front of the camera is that it “forces you to be true.”

About the future of her career, Binoche said that she is not interested in becoming a director but will branch out into the world of TV.

She said that I am finishing a TV series now because I have now entered the world of TV. “My next film will be with an American director, Lance Hammer. It’s his second film. And then Uberto Pasolini, based on an Edward Bond script.

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