Margot Robbie On Rewriting ‘Wolf Of Wall Street’ Scenes With Scorsese –

Margot Robbie witnessed some of the biggest moments of her career on Tuesday in a rare appearance on stage as the latest subject of BAFTA’s popular A Life In Pictures series.

The session was long and extensive, but right off the bat, Ruby was asked about her experience shooting her breakout Hollywood role in Martin Scorsese’s 2013 film. The Wolf of Wall Street And he told the audience that he also served as a partial writer on the Oscar-nominated film.


Ruby said that a scene near the middle of the film where her character Naomi LaPaglia chases a drunken Jordan Belfort (Leonardo DiCaprio) only to crash into a car with her daughter was originally in the script. I was not.

“What happened first in the script was that I went to his office and said I wanted a divorce. And that was it,” said Robbie.

Robbie said that the night before shooting the scene, he, Scorsese, and DiCaprio looked at the script and realized they were missing a moment that would tie the sequence together, so they were inspired. Back to Belfort’s biography for

“We started fighting, and we locked ourselves in a room until three in the morning and came up with all that. And the s*x scene that comes before that,” he said. “Our brilliant 1st AD Adam Sumner was probably tearing his hair out because we were out of nowhere, so, we needed to break down someone’s garage door, smash a car window, and wreck a coach.”

When asked if she felt intimidated as a then-22-year-old actor submitting notes to Scorsese’s script, Ruby said: Mean streets The director had created an environment where experimentation was encouraged.


“At that point we were a few months into shooting. The tone was set so it was a bit of a free-for-all,” he said. “It was like, the crazier you are, the more Marty will like it. And the more screen time you get.

Ruby later said that Scorsese gave him only one direction during the entire six-month shoot. He said the rest of the time was spent chatting with the director and sharing stories.


“We talked all the time. I’d sit in Video Village, and he’d tell stories about the Mafia and old movie stars, but he didn’t actually direct,” she said.

However, Robbie said that one thing Scorsese told him during filming has stuck with him ever since, and it surprisingly had little to do with acting.

“We were shooting the shot where I’m walking up the stairs, and he turned to me and went, ‘Every great movie has a shot of the stairs.’ I’ve told a lot of directors since then that Martin Scorsese says that every great movie has a staircase shot, so take the stairs there,” he said.

Elsewhere during the session, Robbie talked about his transition into producing films. His first production credit was in 2017. I, Tonyaa film she told the audience also gave her the confidence to write a letter to Quentin Tarantino in hopes of finding a project to collaborate on.

I, Tonya I saw the film for the first time and thought I was a good actor. And I thought, ‘Okay, I’m ready to reach out to my idols.’ And that’s when I wrote to Quentin,” she said.

Ruby, of course, went on to star in Tarantino’s 2019 film Once Upon a Time… in Hollywood. While discussing the film, Robbie pushed back against the criticism that the film received upon release for the limited screen time given to Sharon Tate’s character.

“It didn’t bother me. I looked at it and thought we got what we wanted to get,” he said.

Ruby next returns to the world of Golden Age Hollywood in Damien Chazelle’s long-awaited Hollywood epic. Babylonand the BAFTA audience was given a sneak preview of Ruby’s performance in the film.

Babylon Billed as an original epic set in 1920s Los Angeles as Tinseltown transitions from silent films to talkies. The scene, presented at the BAFTAs, features Robbie as an actress performing a sequence on a ramshackle set alongside Chazelle’s wife, Olivia Hamilton, who has a brief on-screen role.

Discussing working with Chazelle, Robbie said: “He’s brilliant. For a young man like him to have that breadth of knowledge and be such a good director is really exciting. I loved every single day on that set. .

Before wrapping up the session, Robbie was asked about the much talked about topic. Barbie The film she is producing and starring alongside Ryan Gosling. Greta Gerwig is directing from a screenplay she wrote with Noah Baumbach.

“I didn’t know there was going to be this much hype,” Ruby said of the film. is the most recognizable word after Everyone knows Barbie. It will be killed, so give us more money for your budget.

Wrapping up the discussion, Robbie, who is the youngest subject of BAFTA’s A Life in Pictures series, said he was a director she still wanted to work with. Licorice Pizza Author Paul Thomas Anderson.

“PTA, I really love Paul Thomas Anderson,” she said.

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