The life of a parody king is one big joke –

Al Yankovic (Daniel Radcliffe) is a curly, clumsy kid with no friends and no worries in life. Until one day, when he finds himself at a noisy polka party, where he impresses the audience by playing the accordion. His parents, Mary and Nick Yankovic (Julianne Nicholson and Toby Huss), disapprove of his acting and his relationship with them becomes strained. As he gets older, he moves away and lives with his four friends, who encourage him to find inspiration for his music after Al claims he loves taking famous songs and changing words, thus making parody recordings. He records a song called “My Bologna” and sends it to the Captain Buffon radio show. They love it and often play it, but not everyone is on board. He talks to Scotty Brothers record executives, but his music and appearance fall apart.

He is offered to perform again at the dive bar. In a scene reminiscent of SpongeBob in Salty Platoon, Al performs his next skit, “I Love the Rocky Road”, and the crowd goes berserk. Because of his stellar performance, he meets Dr. Demento (Rainn Wilson), who offers to introduce him to some famous people at his home. All sorts of people (dead and alive) are at the pool party Demento, Elton John, Frank Zappa, Alice Cooper, Andy Warhol and Salvatore Dali, just to name a few. At this point, he announces himself as a certified star, obsessed with the idea of ​​​​changing the music industry.

Cameos – so many cameos. It makes no sense to list who is in this, but some cameos surprised me, which is rare (for me). Why don’t they do this in movies anymore? Strange: The Al Yankovic Story this is a parody of a parody. Of course, Yankovic’s career never went in the direction of film, he is self-aware to the point where he might as well break the fourth wall. Weird Al kept me in its grip until about 30 minutes, when everything went downhill even beyond movie standards.

Tonally, it’s just as weird as its namesake, and the trouble starts when Madonna (played by Evan Rachel Wood) shows up. Then it gets weird. Pablo Escobar? Drug cartel? Murders? The screenplay by Eric Appel and “Weird Al” Yankvoik sacrifices comedy for pathetic silliness and stereotypes, which detracts from the fun elements. As the movie went on, the laughs got less and less because the movie became more and more dark in nature, derailing the plot and turning into another movie, only to return to form 20 minutes before the movie ended.

Most biopics are dark and bleak. At least Appel wants to have some fun. You don’t understand the truth about Weird Al’s rise to fame, but there are some comments about how difficult it is to carve a niche in the strict music industry and how fame can turn people into ego maniacs. Even if the film presents Weird Al’s career as one giant joke, it has one thing in common: he swept through the music world with reckless energy and did what he wanted on his own terms. There is no denying that his parody songs have influenced the culture. When the name “Weird” Al Yankovic comes up in a conversation, people will instantly know who it is without a second thought. Yes, his music was a parody, but that didn’t mean you couldn’t dance and sing along to it.

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