Tony Gilroy On Cassian Cliffhanger; Season 2 With Rebel Gangsters –

Warning: The following interview contains errors. of Andover Season One Finale “Rick’s Road” on Disney+

Star Wars Creator George Lucas once wrote about “taxing trade routes.” Star Wars Episode I: The Phantom Menace, And if Disney+’s Star Wars Whatever the series has given die-hard fans, it’s a binary, granular look at how such a universe is politicized. While The Mandalorian, Obi-Wan Kenobi And The Book of Boba Fett Callbacks to legacy characters and addicted to all things Lucas and even the environment Star Wars The brainchild of animation architect Dave Filoni, Gilroy focuses on the minutiae, the clerical details if you will, of how a bureaucratic imperial force emerges and how a rebellion among various factions coalesces ( Hint, it helps to have a rich person in your corner trying to move money around and fund the opposition, read Genevieve O’Reilly’s rebel co-founder – Moon Mothma). One such jaw-dropping detail was revealed in the paper: the large steel wheels that Cassian and the Narkina 5 prisoners were assembling a few episodes ago were part of the Death Star’s firing cannon. Duh that’s kind of an easter egg. Indore Deep Universe Cameos Vs.


(L-R): Corv (Noof Ousellam), Lieutenant Keysax (Nick Moss), Supervisor Dedra Meero (Denise Gough) and Captain Vanis Tigo (Wilf Scolding).

Season one wraps up Cassian Andor’s first year of life as a rebel. He returns to Ferris for the funeral of his adoptive mother Marva (Fiona Shaw), but he can’t quite open up. The Imperials smell that something is about to go down, and do so as the droid B2Emo projects a hologram of Marwa in front of the crowd, Obi-Wan-style urging them to fight the Force. (“Fight the Empire!”) at which point. There’s a worse explosion than drunken Mardi Gras with pipe b*mbs. Let the Star Wars begin. Endor escapes through the furnace tunnels, and Imperial Security Bureau overseer Daedra Miro (the excellent Denise Gough) is trampled by protesters, only to be saved by her twin flame, the Anti-Andor, uber-Imperial wannabe Cyril Korn (Kyle Soler). went. It was just a few episodes ago, she was playing hard to get. Now that sounds more romantic than anything else. Grey’s Anatomy

All things culminate at Luthen Rael’s (Stellan Skarsgård) Fondor where he confronts Cassian.

“You came to kill me,” says Indore. “You don’t make it easy,” Luthan replies.

“I will now,” Andor said giving up, “Kill me… or take me with you.”

Luthan smiles knowing that Indore is part of the rebel cause.


Here is our interview with him. Indore Creator Tony Gilroy, who was taking a break from filming Season 2 over in England:

Marva (Fiona Shaw) in a scene from Lucasfilm’s ANDOR, exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All rights reserved.

Was there anything in history that influenced the season one finale? Especially with everything that is happening in Ukraine.


Tony Gilroy: It’s just so unbelievably sad how readily available, all the things that seemed sad at the time, are through history and they just keep repeating themselves.

There’s all the stuff in the show, and I don’t want to quote chapter and verse, but it’s the Russian Revolution. This is Montagnard. This is something interesting that happened in the Haitian Revolution. This is the ANC. Oh, this is the Earth Gun Building, Palestine. This is the Continental Congress. It all happens… I mean, you can drop the needle in the last, I don’t know what’s recorded history, 3000 years, legitimate records, I mean, slavery, oppression, colonialism, mistreatment, treason, Bravery, I mean, it’s a continuum.

The exit from Rebel co-founder Moon Mothma — she feels like a nod to Nancy Pelosi. She’s this upperclassman who knows she’s a catalyst for making a difference and righting wrongs.

Gilroy: Her job description is senator, longtime politician, power player, she doesn’t get everything she wants, she doesn’t get everything she wants. When I was writing the script, I definitely wasn’t thinking about the American Speaker of the House.

Luthen Rael (Stellan Skarsgard) in Lucasfilm’s ANDOR

The cliffhanger where Cassian puts his life on the line and confronts Luthan Rael—were you always planning it?

Tony Gilroy: I said let’s take 12 episodes, in a year, we’re going to take that whole time, and we’re going to take somebody who’s completely desperate and completely self-centered and really the worst of his life. Spending the day, and just someone who is changing. In a roach, and we’re going to change that person in a year, we’re going to be the first person to do that. Rogue OneAnd we’re going to sign him up.

And so, yes, his final moment is bloodshed. It took us so long to do this. That’s it, the road to Damascus or it’s the 12 stations of the cross or whatever context you want to put into it. He has been through everything to become: to give blood at the end of the show and say, this is. In it, I am. His commitment to fighting rebellion and empire and devoting his life to it, we will not doubt it now. Going forward, we have a whole bunch of new issues that we’re going to tackle, but that finish line was on the table before we worked on a lot of other things.

How many episodes per year of Casein’s life, mapping out the next season?

We’re going to cover the next 12 episodes, we’re going to cover the next four years. So, each block of three episodes we shoot, and that’s our organizational rule for production.

So, when we come back to our second half, it will be a year later. A whole year has passed. All kinds of things will have happened, and we’ll pick up the show. Sometimes we’ll do a week, we’ll do three days, we’ll do four days, whatever, and then we’ll skip a year in between.

The last one will be the last, I don’t know what it is, three, four days before the start Rogue Oneand then our last scene is always known, which will lead to the first scene. Rogue One. So, we will deal with time differently, but it will be blocks of three. This will be our principle.

Can you tease season 2?

Tony Gilroy: We will deal with it by the time you arrive. Rogue One You have the Rebel Alliance, which is a whole bunch of different factions and people who have arrived in Yavon and united in what will become an organized rebellion. Well, we have four years to assess how hard it is to rally a revolution, how hard it is to be a leader, how hard it is to be a victim.

But what about the real gangsters? What about the exits? What happens to the people who were… Every revolution consumes people and praises people, and not always the people who did the important work. How do you measure something that doesn’t primarily thrive in the sun? How do you do that? And those issues and all the chaos of it will be of great interest to us going forward.

Duncan Pao, who plays Melshi, will return. Obviously, we’re playing with him there because he’s going to come in. Rogue One.

It seems like the Imperials are making Cassian out to be a more infamous man than he really is. They seem to be giving him a larger than life reputation. Do you agree?

Tony Gilroy: No one even knows who he really is. They don’t even know how bad he is. They don’t know. I mean, they think maybe he was in Aldhani, but that’s because Dennis Gough’s Deidra Meru is trying to make him so bad — it’s a great predator-prey relationship. It’s a desperate thing and she has every right to pursue it. She thinks like him enough that she is the first to realize that Aldhani is not a heist, it is an announcement. And she’s going to follow him for a long time, and you know, Cassian is her link. This is the only viable link it can find. If she can find him, she can find Lothan. Stellen’s Luthon doesn’t know who Cassian is.

That epilogue with the building of the Death Star, was that always in the cards?

Tony Gilroy: Yes, when we brought jail and then they said, what are we doing? And then we built the thing. It’s like, ‘Oh, my God. Well, let’s let him do that. How ironic and how powerful and how circular and synchronic.’

And then, Mohan Liu and TJ Falls, which is the visual arts department, who are just amazing and that Rogue OneThey were like, ‘Oh, let us play with it.’ And you know, six months later you go into a visual master deal and it’s like, oh, we have a special gift to launch today and it’s like, the raw version of it, it was great. They did it all and we helped improve it, but it’s also their part.

The Q&A was edited for length and clarity.

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