Contrary to all expectations, the sequel to the cult blockbuster Tom Cruise, filmed 36 years later, is really good.
If you think that the sequel to the Tom Cruise extravaganza “Top Gun”, released 36 years later, will gain cheese and fetishize the US military, you’d be right.
Top Shooter: Maverick does both of those things, and with a heavy dose of seriousness. But you know what? It doesn’t even matter, because it has – miraculously – earned this reverence and sincerity. Top Shooter: Maverick Regardless, it’s not an amazing film, it’s amazing because it doesn’t apologize for leaning on it.
Against all expectations Top Shooter: Maverick it’s a gripping, breathtaking blockbuster that dazzles with its weighty, daring aerial sequences, real emotional stakes, and Cruise’s charming billion-dollar performance that reminds everyone exactly why it’s one of the remaining bona fide films. stars.
Cruz may have reputation issues in real life, but when he flashes his megawatt, still boyish smile on the big screen, there’s no denying the power of his charisma. And there are few actors who are as interested in creating compelling cinematic experiences as he is.
Cruz returns as Pete “Maverick” Mitchell, still the badass Navy fighter pilot with an insatiable need for speed, a head in the clouds, and a thorn in the side of anyone with a star (Ed Harris, Jon Hamm). ).
After an unauthorized stunt, Maverick is ordered to return to Top Gun but not to fly. He must train an elite squadron of young pilots who will go on a near-impossible mission.
An unnamed enemy state (apparently Russia) is about to commission a banned nuclear facility, and the only way to stop it is through a dangerous mission whose survival is far from guaranteed.
Among the new generation is the Rooster (Miles Teller), the son of the Goose. Maverick and Rooster have a difficult relationship due to the older man’s guilt over Goose’s death that still haunts him decades later, while Rooster resents Maverick for the obstacles he has placed in his career.
This ledge from Best shooter is present throughout this film, but it is intertwined in a way that does not offend or confuse those who have either not seen the original or were not fascinated by it.
All you need is a smattering of 80s blockbusters to pick up the beats.
Maverick perfectly balanced between nostalgia and modernity. Modern sensibilities don’t feel forced, and the throwback vibe doesn’t feel anachronistic for 2022.
The nascent romance between Maverick and Penny (Jennifer Connelly) has features Best shooter era, but her character has free will, and it clearly suits him. Whereas the new talent class (Glen Powell, Monica Barbaro, Jay Ellis, Danny Ramirez, Greg Tarzan Davis and Lewis Pullman) is a fresh injection into a world that used to be hyper-masculine and not very diverse.
The story even has a subplot about the continued relevance of human pilots when drone technology threatens to replace them.
But the real highlight Maverickwhere he really excels is in his extraordinary action sequences that really live up to the promise of the iconic Berlin Best shooter The theme is “Take my breath away”.
Director Joe Kosinski and, it must be said, Cruise created high-octane, truly breathtaking mid-air sets that have gravity and stakes. Planes fly through the air in a hair-raising show, and the cockpit performances take you right there.
The scenes were not filmed in front of a green screen inside a hydraulic aircraft, but actually in the air, where the cameras were mounted inside the cockpit, and the actors felt the brunt of the G-Force in every frame. That’s the difference.
These sequences are tense, with editor Eddie Hamilton switching between close-ups of the cockpit of several pilots, wide shots of the action, and back to the control room. It’s a master class in action and stunt montage – not only is it the mind-blowing pace and rhythm of these scenes, but you can actually follow the action so you always know exactly what’s going on.
And it’s all backed up by a booming, reverberant soundtrack based on Harold Faltermeyer’s original soundtrack that immerses you in fast-paced action, in the world Best shooter and in a truly immersive cinematic experience. This is a triumph.
Top Gun: Maverick is in theaters May 26.